• 观看记录
    视频
    视频
    取消
    推荐搜索
    电影 欧洲的某个地方

    欧洲的某个地方

    影片信息
    • 片名：欧洲的某个地方
    • 状态：DVD
    • 主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
    • 导演：Radványi/Géza/
    • 年份：1948
    • 地区：其它
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2025-05-30 11:17
    • 简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
    1948/其它/剧情 /其它/

    • 关注公众号观影不迷路

    • 扫一扫用手机访问

     立即播放  必播线路

    选择来源

    • 必播线路
    • 必播线路三
    6.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    605次评分
    6.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    605次评分
    给影片打分 《欧洲的某个地方》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页 电影 剧情片 欧洲的某个地方

    播放列表

     当前资源来源必播线路 - https://vip.dyttzypl
     倒序
     必播线路  必播线路三

    下载列表

     倒序
     http下载
    全选迅雷批量下载 没有迅雷？点击下载 > 没有安装迅雷？点击这里下载最新版迅雷 >
    下载帮助：tip提示信息

    剧情简介

    　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

    为你推荐

     换一换
    • HD中字
      杰作
      6.0 The Masterpiece/
    • HD
      阿勒泰之歌
      10.0 阿依波塔·杰恩斯/银珠·木拿里别克/海拉提·哈木/张大磊/张雅玫/达列力汗·哈德尔/阿来·阿依达尔汗/叶尔那尔·俄合拉斯别克/阿力木江·吐尔斯拜克/丽娜·夏侃/阿依江·赛力克/达布力·黑巴提/库力加孜拉·比亚地/
    • HD
      册杀
      10.0 牛骏峰/尚语贤/白恩/王奎荣/胡耘豪/李光复/喻亢/马渝捷/徐筠/邓志浩/邬倩/曲戈/陈俊安/姜琦/时銘健/朱海军/
    • HD
      岸边露伴一动不动忏悔室
      1.0 高桥一生/饭丰万理江/玉城蒂娜/户次重幸/大东骏介/井浦新/
    • HD中字
      朝圣
      10.0 Henrietta/Crosman/希瑟·安吉尔/诺曼·福斯特/Lucille/La/Verne/Maurice/Murphy/玛丽安·尼克松/Jay/Ward/Robert/Warwick/Louise/Carter/贝蒂·布莱丝/弗朗西斯·福特/查利·/格雷普韦恩/赫达·霍珀/Frances/Rich/Mary/Bracken/Ann/Brody/William/Burress/André/Cheron/露丝·克利福德/玛塞勒·科尔代/詹姆斯•唐兰/贝丝·弗劳尔斯/Edward/Gargan/玛丽·戈/
    • HD
      阿里
      9.0 安德拉尼克·马奈/帕斯卡尔·雷内里克/Théo Delezenne/Ryad Ferrad/伊娃·拉利耶/Lomane de Dietrich/Mikael Don Giancarli/克莱芒丝·库隆/Fabio Caron/Audrey Bonnet/克莱尔·博德森/苏菲‧卡达尼/Alphonso Scavo/Immanuelle Shékina/Isaure Bony Agoua/Melvil de Waegenaire/Tom Menanteau/Alexandre Auvergne/Serena/
    • HD
      朝圣2025
      2.0 柳西亚·加西亚/米奇·马丁/特里斯坦·乌罗阿/何塞·安赫尔·艾力格/莎拉·卡萨斯诺瓦斯/米丽亚姆·加列戈/珍妮特·诺瓦斯/席琳·蒂尔/米奇·罗布莱斯/塞尔吉奥·昆塔纳/大卫·萨拉伊瓦/
    • HD中字
      编号24
      10.0 No. 24/
    • HD
      教场Requiem
      9.0 木村拓哉/纲启永/齐藤京子/金子大地/仓悠贵/井桁弘惠/大友花恋/大原优乃/猪狩苍弥/中山翔贵/浦上晟周/丈太郎/松永有纱/佐藤胜利/中村苍/蓝川きあら/青山凱/いずみかわみほ/大崎凛/加藤菜津/上川拓郎/永井彩加/中塚智/西野凪沙/西村成忠/加山雄大/守谷菜々江/山崎朋弥/柳川类/山下タクロウ/吉田晏子/佐藤仁美/和田正人/荒井敦史/高桥瞳/小日向文世/
    • HD国语
      宋家镇怪谈
      8.0 文卓/
     换一换

    最新资讯

    更多
    更多

    评论

    共 0 条评论

    剧情片排行榜

    更多